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"Krüller shows a human side of Tristan Shone, more right side of the brain, and an openness to more perspective."
"While it still technically falls under the blackened deathcore umbrella, Ritual Hymns finds Worm Shepherd proving how versatile this micro-genre can be."
"If this isn't metal, then the term has lost any meaning it ever had."
"On their third album Where Fear and Weapons Meet, 1914 paints a tragic, gritty and human portrait of WWI with musical bombast and emotional...
"Don’t be surprised if the name starts cropping up in future conversations and on year-end lists."
Not to harp on recent governmental moves towards regressive fundamentalism, but does this now mean that these (sorta) Belgian death metal greybeards aren’t allowed...
At it’s heart, Infinite Granite is not a metal record, but an above-average shoegaze/indie rock record.
"Lantlôs may have little resemblance to its original form, but Siegenhort has yet to steer his band in the wrong direction."
Somewhere, someone writing or YouTubing (or however kid's today get their point across) a review of Cannibal Corpse’s 15th album is kicking it off...
The saying goes, everything is bigger in Texas. This adage rings especially true in the riff department, exemplified most recently by Steel Bearing Hand....
While its length can be felt at times, Mære becomes a compelling progression of Harakiri for the Sky's powerful brand of post-black metal.
Välde is a fantastic blackened deathcore assault, one that brings Humanity's Last Breath to the top of the growing sub-subgenre.
Translating from Icelandic as “All This Damn Darkness,” Allt Tetta Helvitis Myrkur doubles down on the most haunting aspects of Katla's brand of atmospheric...
Sólstafir brings its massive arrangements and rustic grit to notably accessible territory, rounded off by some callbacks to a savage past.
The long-awaited fourth album from Mr. Bungle returns to the band's thrash metal roots, seeking to realize the potential of its first demo.
In these waning days of humanity, democracy, freedom, clean air, good taste, low class, and sensible shoes, it’s great to be able to have...
Holland’s Celestial Season is a bit of an obscurity, even on the doom/death scene, which dominated the band’s sound throughout their early works. They’re...
The second half of The Ocean's Phanerozoic dualogy uses kaleidoscopic heaviness to relate the human condition to a 541-million-year cosmic tragedy.
In keeping with the spirit of previous releases, Year of the Knife is a hardcore band through and through. Though one that pulls heavily...
33 years after the band made grindcore what it is today with Scum, Napalm Death continues its penchant for inspired brutality.
The unwavering plaintive exquisiteness of No Wilderness Deep Enough makes it an essential journey.
Dream Squasher doesn't stray too far from the path -(16)- has blazed for the past 29 years—one marked with addictive arrangements and inexorable anger.
