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"Heaven Upside Down is just a damn good album that flows exceptionally well, keeps you interested, and proves that Marilyn Manson absolutely has a...
2013's Satyricon presented a minor comeback in the sense of greater immediacy and consistency in songcraft, but four years later Deep Calleth Upon Deep takes that sure-handedness...
If Ugly Produce ended at the halfway point, we might be heralding it as a modern masterpiece; we’d also be referring to it as...
WVRM's Can You Hear The Wind Howl proves to be a killer collection of savage grindcore
Contempt is like a beer bottle being broken over your head and then put to your throat.
Nightmare Future is a 14-minute throwback to the grindcore/death metal days of old, executed perfectly by a seasoned group of musicians.
Adventure the Unparalleled Universe that is Origin in their seventh studio album release.
Hydrograd is an unapologetic collection of singles, no bones about it.
For those that can bear its unapologetic abrasiveness, Mutation's latest record is a wildly energetic, albeit uneven, listen.
Every once in a while though bands like Chaos come along to reassure us that the flame still burns and that angry, politically charged...
Lifeless God is an adrenaline kick of finger-licking grind goodness.
Combining the speed of death metal, the hooks of doom, and some blackened ambiance, Vallenfyre continues to pound the desperate optimism out of life...
The UK's tech metal pioneers return with their first album in 11 years.
Dios Carne is one of the most sinister offerings from Looking for an Answer yet.
Trumpeting Ecstasy takes is one that follows the course and structure of the band’s live show and having Full of Hell pretty much put...
The Hanged Man is a heavy, noisy, violent experience. Sometimes all at once, sometimes little by little.
Warbringer are back baby and we absolutely love it!
Obsidian Ark feels like it’s working on building a new sound, but starting with the familiar.
With brutal hardcore and soaring metal, Darkest Hour reaches an outstanding achievement in Godless Prophets & the Migrant Flora
