The top tracks thrashing the walls of the Gimme office this week
Cerbère – "Cendre"
ICD10 – "Faith In Institutions"
Troglodytic and testy, this Philadelphia troupe flash GISM’y walls of hiss with some right-on primitive plod and snaky guitar lines evoking Crass and Rudimentary Peni. Cloaked with a metallic sheen these anarcho-rabblerousers feature members of Poison Ruin and Fuckin’ Lovers, and the LP is out on Solid State.
Malleus – "Prophetess"
With good black and death metal influences in their pockets, Malleus offer up some grim and tidy sounds full of galloping, crisp riffs, fuss-free fx-less vocal yowl, and a frothing pot of rhythmic action. Their latest on Armageddon The Fires of Heaven takes a detailed look at the settling of America, it’s religious hypocrisies towards its natives, transforming 17th century darkness into modern day mayhem.
Varmia – "3"
While their previous single “Oddal” let loose some of the real black metal fire these Polish pagan metallists are capable of, Varmia evokes the likes of Heilung and Enslaved a bit more, focusing on the sound of traditional ethnic/acoustic instruments and ritualistic vocals echoing through the barren woods. Tension, folklore, space all working hand in hand until the unleashing of some bestial growls as the song’s crescendo arrives. The rich sound of Varmia swings in variety of directions, their abilities to hone in on extreme beauty and terror in balance.
Disfiguring The Goddess – "Cut the Canvas"
DTG are back and sounding even more like a plunderphonic nightmare of varispeed records all spinning simultaneously. Opposing rhythms clashing and crossing over each other, demented samples, and Cameron Argon’s crazy vocals which alternately flip from grisly bleats to chopped-and-screwed fragments. Symphonic swirls, rubbery snares that flip on and off, so much damn weirdness abounds.