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In case you haven’t heard the news or the teaser material, Finnish humppa-metallers Finntroll—Vreth, Trollhorn, Beast Dominator & Co.—are back with their seventh studio...
Some people are often too busy laughing at the ridiculous music videos and comedic novelty of the animated series Metalocolypse to realise that Dethklok...
As with any other genre, doom metal can be hit or miss. Whether treading the waters of desolate drone or keeping with the tried...
There’s plenty to say about the sonic gulfs that separate Yellow & Green from Baroness’ past work, but the primary difference here is in...
Mutilation Rites’ discography is a bit confounding, traversing multiple line-ups, demos, splits, and EPs. The band’s rapid gestation has been very public, but every...
Path of Totality isn't the album I was expecting from Tombs; this is a good thing. The band enlisted John Congleton (Baroness, Explosions in...
Nader Sadek is famous for his elaborate stage designs, sculptures, and masks. His clients have included artists like SUNN O))) and Mayhem, whom he...
In “The Haunter of the Dark,” H. P. Lovecraft describes a man transfixed by a decrepit, abandoned church. “Desolation and decay hung like a...
By Kit Brown Deathcore, though constantly at the wrong end of too many bad jokes in the metal community, has been making some positive...
By Ben Apatoff From the moment that "Forced to Rock" introduces Virginia tech-death upstarts ARSIS' new album with a piercing series of bended notes,...
By Ben Apatoff Like OZZY before them, RAMMSTEIN confirmed the lunacy of their would-be censors by being far too goofy for anyone who actually...
Before Behemoth became a death metal juggernaut, it played black metal. Of course, its death metal is often called "blackened," and the Polish band...
