Reviews
Texas instrumental group Driving Slow Motion prides itself on delivering “cascading dynamics and atmospheric melodies” to spark “a surreal sonic experience that both captivates...
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Texas instrumental group Driving Slow Motion prides itself on delivering “cascading dynamics and atmospheric melodies” to spark “a surreal sonic experience that both captivates...
"I’ve played it safe for the past decade with DTP [Devin Townsend Project] and I have a lot of things left to say that...
Lines in the Sky's lyric video for "Thalassophobia" is awash with chilling storybook imagery that's drowned in awesome progressive rock panic.
Now We Sleep maintains the magnetism and strive of The Observer while also upholding its own identity and idiosyncrasies throughout.
Animals as Leaders drummer Matt Garstka talks about his history with the group, the logistics of the upcoming 10th Anniversary tour, plans for the...
As cleverly and touchingly rewarding for longtime listeners as it is effectively representative for newcomers, Empath is another work of grandiose measure, gorgeous humility,...
The UK quintet reveals how Part Island finds them perfecting their instrumental formula while delving further than ever into complementary vocal tapestries.
Fantasma Nera may be Kings Destroy’s best effort to date, as each entry offers its own mesmerizing features (be they catchy vocal passages, gripping...
"I, The Mask doesn't shake things up very much or restore In Flames to their 'glory days,' but it certainly sees them perfecting their...
The Verdict is not only the superlative entry in the La Torre era thus far, but it’s easily one of their best outings in...
Occupational hazards notwithstanding, The Eighth Mountain is a very strong addition to both Rhapsody of Fire’s canon and the world of symphonic/power metal globally.
Lotus will remain a highpoint in Soen’s catalog and probably rank highly on many “Best of 2019” lists come December.
Soilwork has stood the tests of time and turmoil to create something that fans are almost guaranteed to enjoy.
2018 was all about broadening my horizons while reaffirming my love for long standing favorites.
The ways in which the soft and heavy personas of Phanerozoic I: Palaeozoic combine mark The Ocean Collective as masters of creative duality.
Vector may disappoint slightly in spots but it’s nonetheless a majorly triumphant release.
The Unheavenly Creatures is a mostly captivating continuation of the Amory Wars saga that cements how relevant, idiosyncratic, and cherishable Coheed and Cambria remains.
Wasteland proves that while guitarist Piotr Grudziński’s passing indefinitely changed their dynamic, Riverside certainly has a second life as an empowered trio.
Suspended in Reflections is more of a singular experience than a collection of songs, and its ability to bond heavy and light personas seamlessly...
Each piece on Science Fiction is adequately appealing (to varying degrees), yet the overarching experience feels too repetitious, familiar, and uninspired by the end.
Lowlands is a mostly enjoyable instrumental venture that consistently skates the line between spirited and gloomy ruin.
Anomie is a triumphant record chiefly because of how well the band implements a multitude of styles not only on one album but, more...
The eccentric prog metal genius talks about Ocean Machine: Live at The Ancient Roman Theatre Plovdiv, the disbandment of DTP, his upcoming releases, and...